Kiko Arnal, a distinguished photographer and videographer, has garnered international acclaim for his insightful visual essays spanning the Americas, the Middle East, Asia, and Europe. Renowned for capturing poignant narratives, Arnal's work has been featured in prestigious publications such as The New York Times, National Geographic, Life, and Mother Jones.

Arnal's talent extends to the realm of documentary filmmaking, including directing and producing a notable short film for Discovery Channel Canada, which highlighted the malaria crisis among indigenous populations in the Amazon. His commitment to bringing global issues to the forefront was further exemplified in his solo photography exhibits at the United Nations in New York City and Geneva, focusing on the devastating impact of cluster bombs on civilians.

A prolific author, Arnal has published three significant documentary photo books. "In The Shadow of Power" (Edizioni Charta, 2010) offers a stark contrast between poverty and wealth in Washington D.C. His 2014 work, "Voladores" ["The Flyers"] (Editorial Meristemo), is a large-format exploration of a pre-Hispanic indigenous ritual dance in Mexico. In "Bordered Lives" (The New Press, 2015), Arnal delves into the transgender culture of Mexico City, showcasing his versatility and depth as a storyteller.

Kiko Arnal's extensive portfolio includes collaborations with a diverse array of commercial and non-profit clients, such as Leo Burnett, Coca-Cola, LAN Airlines, ARCUS Foundation, The World Bank, and the United Nations, demonstrating his ability to merge commercial acumen with artistic integrity.

His exhibitions, including "Afroperú" in Colombia and Peru, "Surviving Cluster Bombs" in Geneva, and "In The Shadow Of Power" in New York City, among others, have been lauded for their impactful and thought-provoking content. Notably, his "Mass Produced Terror" exhibit at the United Nations and "Bethlehem Under Siege" in Washington D.C. have cemented his reputation as a photographer of conscience and relevance.